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Compact Film Cameras
Safariing is usually a once-in-a-lifetime experience ( well that’s what we thought the first time we went ) and so you may want to record the event for posterity.
Spotting animals is challenging enough, but if you want to get a photograph to impress your friends back home then you need to plan ahead. The simple instamatic camera is pretty much worthless for recording anything other than wide-angle landscapes, with perhaps a sunrise or sunset thrown-in for good measure.
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Film Cameras with Zoom Lenses
Over the years Alison has graduated from a Pentax Compact Zoom with built-in 28-170mm auto-focus zoom lens, through a Canon EOS SLR camera with interchangeable 28-75mm and 50-300mm zoom lenses, adding a x2 converter to this. It became cumbersome continually changing lenses and missing shots, so the lens was replaced with a Sigma 50-500mm lens compatible with the Canon EOS body, rather than buying a second body.
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Digital Cameras
I eventually decided I wanted more to do on safari than spotting and bought my first camera - a digital. I chose the Sony Mavica MVC-FD7 because : it had a x10 zoom lens ; it saved directly to floppy disk, which could be easily read by any PC.
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The VGA format ( 640x480 = 307,200 pixels ) and the high compression used to save a reasonable amount of images on a single disk seriously limited the picture quality. I struggled on until I found a camera that offered the correct balance between zoom and resolution i.e. a camera offering the largest effective optical zoom ( digital zoom is not a requirement of the camera as this can always be provided by image editing software ). Although there were higher resolution cameras available I again opted for the Sony Mavica CD1000 with a 2 million pixel resolution and x10 zoom lens. This saves images directly to mini-CDs that can again be read by PC CD drives. It also offers multi-program functions, steady-shot and flash functions similar to SLR cameras.
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Alison finally 'went digital' in the Summer of 2005 - well she had to taking up to twenty 36 exposure films on every safari and throwing 75% of them away! She adopted the Canon EOS300D - a whopping 6.5 mega-pixel camera ( it was then )! The functions and controls are similar to the film version and it takes the same lenses. She started by taking the camera and the 75-300mm zoom lens ( equivalent to 120-480mm ), as the combination isn't so bulky and is much lighter to use.
Of course this has inevitably pushed us to carry a laptop to regularly transfer and review the images ( rather than risk losing a memory card ). We carefully selected a Compaq Evo N400 sub-notebook to reduce weight ( not as generous on local transfer fights ) as we don't need to carry the CD drive. This also requires mains power, which isn't always available in the smaller less permanent lodges we favour.
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I finally gave my Sony CD1000 camera away to a friend at the end of our last South African safari. I had exhausted my stock of mini-CDs and had been thinking of upgrading to an SLR for some time. However, Alison decided to buy a Sigma 28-300mm lens, so she didn't have to carry two lenses and keep swapping. It then seemed a waste for me to purchase the Sony Alpha camera I had been considering with its own family of lenses, when we had 3 perfectly good ones lying around. I tracked down a very reasonable second-hand Canon EOS 350 camera, with its 8.5 mega pixels. I now intend using this with the Sigma 50-500mm lens Alison no longer uses ( too heavy ) but this depends on how successful my tests are. I hope to practice every weekend, before our next safari at Christmas - only 3 months to go!
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Accessories
- Of course the longer the shot the more difficult it is to frame and focus so you may need a rest of one form or another. Tripods are O.K. in the open with plenty of space, but are impractical in a crowded mini-bus or 4-wheel drive. Monopods aren't much better and only provide a single point rest. Beanbags are probably the best as they can be moulded to the available support - window frame or sun-roof. Blow-up bags, although less stable also help and reduce packing, especially if you use the free-issue neck supports often handed out on international airlines.
- Don’t forget to take a lot of film ( or memory cards ). You can get film at the lodges but it is expensive. Alison has been known to use over a film on a single pride of lions!
- In these digital days of course you may wish to carry a laptop to download your images daily and recycle the memory cards. You obviously have to balance the added security risk, power availability and added baggage.
Reminders
- You may not have a readily available power source to recharge your batteries - check with your operator beforehand!
- In a safari bus you may have 6 or 7 people all trying to manoeuvre to get the best shot of the same animal. You obviously have to be patient and considerate ( otherwise sparks will fly before the end of your once-in-a-lifetime safari )!
- Be wary of taking photographs of the locals, especially in the countryside. Some cultures believe a photograph somehow steals their soul. You should ask permission beforehand, otherwise you could face a confrontation. One of our friends was asked to hand over her videotape when she took a pan around the hotel lobby and caught a local woman in the shot. In the end she settled for it to be erased.
- Video cameras have to be declared at customs on entering the country and an additional fee must be paid in many of the parks for videoing.
- One of the biggest problems with getting the very best award winning shot is your fellow traveller. The old hard-of-hearing or excitable young woman or child will jump up at the first siting extolling their luck at seeing such a rare animal at the top of their voice, only to startle the animal. All you’ll get then is a shot of their rump as they disappear into the bush. So a quiet word with your party on the first evening pointing out good ‘safari etiquette’ may ( but unlikely ) afford you some of the better shots.
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